The Fairy’s Kiss Musica Viva

In a program which included Debussy and Stravinsky, Leila Josefowicz and John Novacek treated the audience at the Adelaide Town Hall to a thoughtful and stimulating evening,

beginning with Debussy’s Violin Sonata, in G minor, noted for its sound colours, and delicacy of tone.

Mythes, op 30 composed by Szymanowski, is in three movements, each representing Greek mythology. While he is a Polish composer, this piece has a distinct French flavour, and was an excellent choice to follow the Debussy. It is one of Szymanowski’s most famous violin works, impressionistic, as the stories unfold, from flowing water to the fun and dancing of the Dryads, and in its tone colour, and unusual bowing techniques. This was an impressive performance.

After interval  Mriya  in four movements moved to contemporary events. The composer Charlotte Bray draws on the present conflict in the Ukraine to convey both the hostilities, and in one lyrical section, hopes for peace.

In the final piece, Divertimento from The Fairy’s Kiss by Stravinsky, Josefewicz, playing from memory, performed with joyful abandon, as both musicians revelled in what has been described as ‘eminently listenable music’. Adapted from the ballet music of the same name this arrangement for violin and piano is in four movements: Sinfonia, Danses suisses, Scherzo and Pas de Deux.  As these names suggest the music dances and weaves delightfully,  with both musicians thoroughly engaged and the audience captivated.

As an encore, the jazz number, composed by John Novacek was the perfect cherry on the cake.

Musica Viva  

Adelaide Town Hall 14 July 2026.

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