Rose Grey stands behind the bar of the Lark and tells a story. This is her last time in a place, where she was born, and spent most of her life. Now that the small inner-city Melbourne pub is scheduled for demolition, Rose reminiscences about the past.
The stage is set as an old pub, reminiscent of many such throughout inner-city pubs and country towns while the lighting subtly enhances her story.
Noni Hazlehurst, as Rose Grey, has the audience in the palm of her hand from her entry through to the end of this one-woman show. The nostalgia, her relationship with her father, known to all the drinkers as ‘Boss’, the regular drinkers, her women friends – all are brought to life as she talks, and moves about the stage. It is a skilled and nuanced performance by an acclaimed actor.
Rose’s attachment to the Lark is clear, even as she accepts that her life there is now over, and the old building will become a pile of rubble to be replaced by ‘who knows what?’ Intrinsic to her affection for the Lark is her close relationship with her father whom she worked beside, then, as he grew older, nursed until he died. When advised that he should be in transferred to a home, she retorts ‘Home ! He is at home’
The Lark, written by Daniel Keene and directed by Matt Scholten, is a wonderful glimpse into a world, and a pub culture which has been a home of sorts to many. In sharing her story Rose Grey has sketched her life, limited in some ways, while yet rich in memories, farewelling a place which has defined her. Finally Rose has told her story, the lights fade, and we are the richer for having heard it.
Adelaide Festival Space Theatre June 24-July 5
Image Cameron Grant
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