In a flurry of indulgent emotions, cynicism and hilarity this production of Mozart’s opera rivals a television reality show. On the other hand, for excellent of production, fine singing, delightful ensembles and entertainment it presents as another example of how well State Opera does Mozart with panache and integrity. Set in more modern times than the 1790 first production it is true to the spirit of the Mozart/Da Ponte operas, and while I can’t speak for Da Ponte I am sure that Mozart, would have loved it.
This is State Opera’s first production by Artistic Director Dane Lam, who also conducted the orchestra which was in fine form. His harpsichord accompaniment of the recitatives was a delightful touch. This all bodes well for the future.
On a stage set as a contemporary Mediterranean holiday villa complete with cypress trees and a sunset the singers freed from the formality of an earlier Viennese culture, and they made full use of their opportunities. The acting on all counts was exceptional. Much now is asked of singers who have trained for years to produce beautiful sounds and musical insights. Except for Don Alfonso (Christopher Hillier) who maintained an urbane composure throughout with voice to match, the singers delighted the audience with their agility and passion. The sisters Fiordilgi (Sky Ingram) and Dorabella (Anna Dowsley) blended perfectly even when singing from either side of the stage and through a voile curtain, but they also presented as real sisters in their interactions and reaction. Fiordigigli showed more strength of character while Dorabella was very easily led from the path of virtue, but in the end both succumbed to the blandishments of Ferrando (Adrian Strooper who stepped n the replace Kyle Steggall who had an injury) and Guglielmo (Nicholas Lester) who came in disguise to test the fidelity of their loved ones. Their interactions and reaction and absurd displaying of manly attributes was hilarious, together with their fine singing which made it almost plausible.
StIrring the plot and making mischief, Don Alfonse and Despina (Jessica Dean) were impeccable. Despina in her three roles as maid, medico and notary showed, once again, her strengths as a beautiful singer with a clear sense of comedy.
All ends with the young couples being a little more realistic, and forgiving, and Don Alfonso a little richer as he won his bet. The real winner is Mozart because his music shone through it all.
Her Majesty’s Theatre 29 August to 7 September
State Opera South Australia
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